{"id":13466,"date":"2025-07-11T19:13:38","date_gmt":"2025-07-11T19:13:38","guid":{"rendered":"https:\/\/ptich.si\/?p=13466"},"modified":"2026-01-11T22:01:53","modified_gmt":"2026-01-11T22:01:53","slug":"cefurke-raus-ali-kako-smo-prezivele-osamosvojitev-in-se-ob-tem-celo-smejale","status":"publish","type":"post","link":"https:\/\/ptich.si\/sl\/cefurke-raus-ali-kako-smo-prezivele-osamosvojitev-in-se-ob-tem-celo-smejale\/","title":{"rendered":"\u010cefurke raus! ali Kako smo pre\u017eivele osamosvojitev in se ob tem celo smejale"},"content":{"rendered":"
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\u010ce bi bil Goran Vojnovi\u0107 srbsko-slovensko-prekmurska feministka, sem se po\u0161alil po tistem, ko sem prvi\u010d prebral tale roman, mu tudi to ne bi pomagalo. Ker \u0106rtice<\/em> Tine Peri\u0107, na\u0161e donekdanje sovodnice Ljubljanske feministi\u010dne ture<\/u><\/em><\/a>, so tako zelo dobra knjiga, da boli. Niso \u201cnaslednji \u010cefurji raus!\u201d, niso popravek, odgovor ali nadgradnja. So nekaj drugega. Nekaj ti\u0161jega, a zato precej natan\u010dnej\u0161ega. Kar pa ne pomeni, da niso ravno \u010cefurji raus!<\/em> tisto delo, s katerim bi morali\u00a0 \u0106rtice<\/em> brati komplementarno, \u010de bi \u017eeleli izvedeti, kak\u0161no je v poosamosvojitveni Sloveniji odra\u0161\u010danje pripadnikov narodnih skupnosti iz dr\u017eav nekdanje Jugoslavije.<\/span><\/p>\n

\u0106rtice<\/em> (ja, z mehkim, kar je seveda klju\u010dno) so dale\u010d najpomembnej\u0161e literarno besedilo o izbrisu, kar sem jih bral. Ne zato, ker bi prvi\u010d odprle temo tudi z \u017eenske, feministi\u010dne perspektive \u2014 ampak zato, ker dejstvo izbrisa obravnavajo hkrati brez olep\u0161evanja in onkraj avtomatske viktimizacije. Roman ne prosi za so\u010dutje in ne maha z moralizirajo\u010dim prstom. Preprosto poka\u017ee, kako se izbris zgodi mlademu, odra\u0161\u010dajo\u010demu dekletu: kot \u010duden razpotegnjen dan, sprva skoraj neopomemben, a zlagoma vedno bolj dolo\u010dujo\u010d, dokler ne ugotovi\u0161, da nekaj, da nekdo, da vsa dru\u017eina, ne obstaja ve\u010d na na\u010din, kot bi morala.<\/span><\/p>\n

Kar me pri tem najbolj zadene, je perspektiva. \u0106rtice<\/em> niso roman \u201co izbrisanih\u201d v klasi\u010dnem smislu, temve\u010d roman o odra\u0161\u010danju v atmosferi izbrisa, v svetu, kjer ti nikoli ni povsem jasno, ali si zraven ali samo pogojno prisoten. Otro\u0161ki pogled glavne junakinje ni nostalgi\u010den, ampak brutalen v svoji iskrenosti. Politika se ne pojavi kot velika ideja, temve\u010d kot drobna motnja v vsakdanjih situacijah: v \u0161oli, doma, na dvori\u0161\u010du, v jeziku, ki ga govori\u0161 in ki te hkrati izdaja.<\/span><\/p>\n

In potem je tu pisava. Sodobna, izrazito \u201c\u017eenska\u201d in izrazito \u201cslovenska\u201d. Razvejana je, duhovita in ve\u010dpomenska, kot so \u017eenske in multikulturne pisave dandana\u0161nji, \u010de dajo kaj nase. Identitete so v tem kontekstu seveda del problema, ne del re\u0161itve. A kolikor je ta pisava postidentitetno spravljiva, toliko je “slovensko-prekmursko-srbsko” antagonisti\u010dna sama v sebi.\u00a0 Kot na\u010din mi\u0161ljenja v treh jezikih je, ki sam sebi ves \u010das ska\u010de v besedo. Prav zato, ker sam sebe razume \u2014 v vseh treh jezikih. Pisava je to, ki ne more pristati na eno samo identitetno pozicijo. Nima enega samega glasu, ene same resnice ali ene same to\u010dke izrekanja. \u010ce je feministi\u010dna, potem je feministi\u010dna na najbolj produktiven mo\u017een na\u010din. \u010ce je slovenska, prav tako \u2014 kot zavra\u010danje hierarhij, kot dopu\u0161\u010danje protislovij, kot zavedanje, da se zgodovina vedno pi\u0161e skozi telesa, odnose in drobne vsakodnevne odlo\u010ditve.<\/span><\/p>\n

Mimogrede, humor v \u0106rticah<\/em> ni dodatek. Je strategija. Je na\u010din pre\u017eivetja. Je terapija \u2014 tudi za tiste, \u010de ne predvsem<\/em> za tiste bralke in bralce, ki so predstavniki “ve\u010dinskega naroda”.\u00a0 Smeh tu ni nasprotje travme, ampak njen zaveznik. In tu ne govorim nujno o travmi ljudi, ki so bili \u017ertve izbrisa, ampak tudi o travmi celotne dru\u017ebe, znotraj katere se je izbris mogel zgoditi. Duhovitost glavne junakinje se nam skozi branje vse bolj ka\u017ee kot most med obema tema svetovoma. Kot eden izmed na\u010dinov vzpostavitve postravmatskega sobivanja, navkljub nesorazmerju mo\u010di. In morda je prav to tisto, kar roman naredi tako mo\u010dnega: zavrnitev ideje, da morajo biti \u201cresne\u201d zgodbe povedane resnobno, \u010de so pisane s strani prizadetih, torej tistih z minimalno mo\u010djo vplivanja na kakr\u0161nokoli bodo\u010do spremembo okoli\u0161\u010din sebi v prid.<\/span><\/p>\n

Ni naklju\u010dje, da so bile \u0106rtice<\/em> nagrajene kot najbolj\u0161i literarni prvenec in so se uvrstile med pet finalistov za nagrado Kresnik. Roman ne deluje kot prvenec v smislu \u201cobetavnega za\u010detka\u201d, ampak kot \u017ee povsem artikuliran literarni glas. Glas, ki bi znal postati eden izmed klju\u010dnih na terenu poosamosvojitvene slovenske literature \u2014 prav zato, ker no\u010de biti monumentalen, ampak vztraja pri drobcih.<\/span><\/p>\n

\u010ce boste prebrali le en roman o slovenski osamosvojitvi, naj bodo to \u0106rtice <\/em>Tine Peri\u0107. Povedal vam bo, kaj je neodvisnost novonastale dr\u017eave pomenila za tiste \u017eenske, ki jim ni preostalo drugega, kot da se za\u010dnejo boriti za svoje pravice in smejati absurdnosti vztrajanja mo\u010dnej\u0161ih instanc na rigidnosti istovetnosti. \u010ce boste prebrali dva romana, \u0106rticam<\/em> dodajte \u0161e znameniti Vojnovi\u0107ev prvenec. Da dobite \u0161e mo\u0161ko, da ne re\u010dem patriarhalno perspektivo. \u010ce so \u010cefurji raus!<\/em>\u00a0kri\u010dali, \u0106rtice<\/em> spravljivo klepetajo, takoreko\u010d kofetkajo. In v tem klepetu ob kavici je res veliko prepotrebnega \u017eenskega humorja, a tudi za zvrhan pehar bridkih resnic, ki kli\u010dejo po spravljivej\u0161ih, drznemo si re\u010di, feministi\u010dnej\u0161ih Slovencih.<\/span><\/p>\n

Besedilo: Gregor Bulc<\/span><\/p>\n

Naslovna fotografija: Zalo\u017eba Goga<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

\u010ce bi bil Goran Vojnovi\u0107 srbsko-slovensko-prekmurska feministka, sem se po\u0161alil po tistem, ko sem prvi\u010d prebral tale roman, mu tudi to ne bi pomagalo. Ker \u0106rtice Tine Peri\u0107, na\u0161e donekdanje sovodnice Ljubljanske feministi\u010dne ture, so tako zelo dobra knjiga, da boli. Niso \u201cnaslednji \u010cefurji raus!\u201d, niso popravek, odgovor ali nadgradnja. So nekaj drugega. Nekaj ti\u0161jega, […]<\/p>\n","protected":false},"author":3,"featured_media":13468,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[61,54],"tags":[93,117,103,105,95],"class_list":["post-13466","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-sl","category-uncategorized-sl","tag-blog","tag-knjizevnost","tag-ljubljana-sl","tag-slovenija","tag-zenske"],"yoast_head":"\nVnukinja Eleanor Roosevelt na Ljubljanski feministi\u010dni turi<\/title>\n<meta name=\"description\" content=\"Laura Roosevelt in njena h\u010derka Truda sta se udele\u017eili feministi\u010dne ture po Ljubljani v organizaciji ekipe Ljubljana Urban Tours. 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